About the Book
Legal Codes & Talking Trees earned the Armitage Jameson prize for best book in Western Women's History from the Coalition for Western Women's History in 2017, and received honorable mention for the Frances Richardson Keller-Sierra prize from the Western Association of Women Historians. The book is available for $30 in hardcover and ebook from Yale University Press.
Praise from Scholars
"Legal Codes and Talking Trees is that rare and important book that tackles the dark realities of settler colonialism and patriarchy and renders a kind of justice to the women who courageously lived through that history."—Douglas Sackman, Pacific Historical Review
Interviews
Katrina Jagodinsky spoke to Stephen Hausmann about the book for New Books Network in February, 2018. This one-hour interview offers an engaging summary of the book and its contributions to Indigenous women's legal histories.
Blog Entries
Duwamish Federal Recognition: Making Family Reunions Sovereign as Well as Sweet
Living on the Borders of Citizenship: Akimel O'odham in 19th-Century Arizona
Recent Book Reviews
Doug Sackman in Pacific Historical Review, Spring 2018
Katrine Barber in Oregon Historical Quarterly, Spring 2018
John Gram in Native American & Indigenous Studies, Spring 2018
Chandra Murdoch in Law & History Review, May 2018
Tisa Wenger in Journal of Law & Religion, April 2018
M. Marie Jette in Western Historical Quarterly, October 2017
Colleen O'Neill in Journal of American History, June 2017
Lisa Blee in American Historical Review, December 2016
Pawnee/Yakima artist Bunky Echo-Hawk painted this acrylic portrait after reading the Legal Codes & Talking Trees manuscript. Entitled "Lady Justice," the painting features symbols of the American legal system wielded by an Indigenous woman donning ceremonial regalia to give her strength as she confronts colonial legal regimes and crushes exploitative statutes beneath her feet.
The artist Bunky Echo-Hawk explains his painting this way: “Lady Justice” portrays Lady Justice as a Native woman, which is a statement in itself. Lady Justice is repeatedly portrayed as a white woman, and although blindfolded, can’t truly be blind when it comes to justice. The notion that she is portrayed as a white woman in public art speaks volumes to the disparaging racial inequalities in the judicial system. In “Lady Justice”, the blindfold is replaced by red warpaint, which is symbolic of the ongoing fight for justice. She is wearing a ghostdance dress, which is symbolic of an intertribal religious movement united under the same premise; we will survive through the strength of our ancestors."